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Occasionally it kind of feels like there are as many definitions of poetry as there are poems. Coleridge outlined poetry as “the top phrases within the top order. ” St. Augustine known as it “the Devil’s wine. ” For Shelley, poetry used to be “the checklist of the easiest and happiest moments of the happiest and most sensible minds.
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Extra resources for A Teacher's Guide To Wordsmith: A Creative Writing Course for Young People
37. Astrid Erll, ‘Narratology and Cultural Memory Studies,’ Narratology in the Age of Cross-Disciplinary Narrative Research, eds. 223. 46 G. GUDMUNDSDOTTIR 38. Isaac Bashevis Singer, Love and Exile: The Early Years—a Memoir (London: Penguin, 1986), preliminary pages. 39. 16. 40. 236. 41. Said, Out of Place: A Memoir (London: Granta, 1999), p. xiii. 42. 69. 43. 17. 44. R. 7. 45. 6. 46. Dave Eggers, A Heartbreaking Work of Staggering Genius (London: Picador, 2001), credit page of paperback edition.
4. 5. Colmeiro, Memoria histórica e identidad cultural. De la postguerra a la postmodernidad, Memoria Rota: Exilios y Heterodoxias. 28–29. Colmeiro is referring to the title of a work by Mario Benedetti, El olvido está lleno de memoria (Madrid: Visor 1995). 82. 6. 9. 7. In this study ‘memory texts’ denote life writing as well as fiction that has memory as one of its main themes or narrative constructs. 8. Paul Ricoeur, Memory, History, Forgetting, trans. 414. 20 G. GUDMUNDSDOTTIR 9. 17. 10.
6. 20. 7. Draaisma, Forgetting: Myths, Perils and Compensations, trans. 148. 8. Peter Middleton and Tim Woods, Literatures of Memory (Manchester: Manchester University Press, 2000). 9. 80 and 105. 10. 11. 11. 208. 12. 35. 13. Marc Augé, Oblivion, trans. 22. 14. 14. 15. Sally Mann, Hold Still: A Memoir with Photographs (New York: Little Brown and Company, 2015), p. xii. 16. Maurice Halbwachs, On Collective Memory, trans. Francis J. 25. 17. 22. FOREWORDS AND FORGETTINGS: INTRODUCTIONS AND PREAMBLES...